Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance

In Ira Sachs’ last film, Peter Hujar’s Day, the director used a rigorous framing device––a purposefully banal interview that took place in 1974 between the eponymous New York photographer and the writer Linda Rosenkrantz––as a way of opening a window onto Hujar’s life and creative process. The director returns to Cannes with The Man I […] The post Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance first appeared on The Film Stage.