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  "path": "/cannes-review-the-man-i-love-presents-a-lovingly-detailed-world-and-lacking-lead-performance/",
  "publishedAt": "2026-05-20T22:05:00.000Z",
  "site": "https://thefilmstage.com",
  "tags": [
    "Reviews",
    "Cannes 2026",
    "Festivals",
    "Ira Sachs",
    "The Man I Love",
    "Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance",
    "The Film Stage"
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  "textContent": "In Ira Sachs’ last film, Peter Hujar’s Day, the director used a rigorous framing device––a purposefully banal interview that took place in 1974 between the eponymous New York photographer and the writer Linda Rosenkrantz––as a way of opening a window onto Hujar’s life and creative process. The director returns to Cannes with The Man I […]\n\nThe post Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance first appeared on The Film Stage.",
  "title": "Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance"
}