Cao Fei’s New Show Looks at Labour in the Age of Artificial Intelligence

“Technology is both the remedy and the poison,” artist Cao Fei quotes Bernard Stiegler in the catalogue for Dash , her major new exhibition at Fondazione Prada. The title refers to the high-frequency whirr of a drone in flight: the speeding buzz of intense precision of an autonomous machine edging out of human grasp. That tension is the subject of Dash, with a new film of the same title, a virtual reality game, installations and an archive produced ashellip;

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