{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreid3gtp77z54qpcn6taixm7wy3pqlzk5rye5rpsrdx57z7wguydhq4",
    "uri": "at://did:plc:3td72gzbk2p2reyw42wacei6/app.bsky.feed.post/3mjg3qln4ynx2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreih6k6s7ftl3hw5uto3t77q7xpqajmkjh26bx7d52esuv4np7b4vcm"
    },
    "mimeType": "image/jpeg",
    "size": 262420
  },
  "path": "/art-photography/17120/cao-fei-fondazione-prada-milan-dash-exhibition-technology?utm_source=Link&utm_medium=Link&utm_campaign=RSSFeed&utm_term=cao-fei-s-new-show-looks-at-labour-in-the-age-of-artificial-intelligence",
  "publishedAt": "2026-04-13T13:52:00.000Z",
  "site": "https://www.anothermag.com",
  "tags": [
    "read more raquo;",
    "View Gallery (20 images)"
  ],
  "textContent": "“Technology is both the remedy and the poison,” artist **Cao Fei** quotes Bernard Stiegler in the catalogue for **Dash** , her major new exhibition at Fondazione Prada. The title refers to the high-frequency whirr of a drone in flight: the speeding buzz of intense precision of an autonomous machine edging out of human grasp. That tension is the subject of Dash, with a new film of the same title, a virtual reality game, installations and an archive produced ashellip;\n\nread more raquo;\n\nnbsp;nbsp;nbsp;nbsp;nbsp;nbsp;\nView Gallery (20 images)nbsp;\n\n",
  "title": "Cao Fei’s New Show Looks at Labour in the Age of Artificial Intelligence",
  "updatedAt": "2026-04-13T13:52:00.000Z"
}