Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama

The parting image in Andrey Zvyagintsev’s Loveless was a woman in a tracksuit with the word “RUSSIA” printed over it running on a treadmill—a pointed metaphor for a country on a road to nowhere. The film came out in 2017, sandwiched between the start of the war on Donbas and Russia’s full-scale invasion of Ukraine; […] The post Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama first appeared on The Film Stage.