Cannes Review: Double Freedom Is an Entrancing Homecoming of Sorts for Lisandro Alonso

One of the most pernicious tendencies in the way we talk about cinema is to reduce films to quantifiable objects—things that can be assessed in terms of how much or little goes on in them. It’s the kind of approach that says a lot less about the movies themselves than our dispiritingly myopic readiness to […] The post Cannes Review: Double Freedom Is an Entrancing Homecoming of Sorts for Lisandro Alonso first appeared on The Film Stage.