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  "path": "/cannes-review-in-the-beloved-javier-bardem-and-victoria-luengo-elicit-chemistry-in-confronting-the-past/",
  "publishedAt": "2026-05-18T13:10:00.000Z",
  "site": "https://thefilmstage.com",
  "tags": [
    "Reviews",
    "Cannes 2026",
    "Critic's Pick",
    "Festivals",
    "Rodrigo Sorogoyen",
    "The Beloved",
    "Cannes Review: In The Beloved, Javier Bardem and Victoria Luengo Elicit Chemistry In Confronting the Past",
    "The Film Stage"
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  "textContent": "There is a certain pantheon of talented film directors, like Guido Anselmi and Ferrand, whose names barely ring a bell. Yet you know 8½ and Day for Night––these are the films they appear in. Esteban Martínez (Javier Bardem at his most visceral since Iñárritu’s Biutiful), the leading character from Rodrigo Sorogoyen’s latest feature, The Beloved, […]\n\nThe post Cannes Review: In The Beloved, Javier Bardem and Victoria Luengo Elicit Chemistry In Confronting the Past first appeared on The Film Stage.",
  "title": "Cannes Review: In The Beloved, Javier Bardem and Victoria Luengo Elicit Chemistry In Confronting the Past"
}