Cannes Review: Na Hong-Jin’s Hope Is a High-Octane Creature Feature That Falls Flat

It’s never night in Hope Harbor. At least so long as we’re there. The eschatological events of writer-director Na Hong-Jin’s high-octane, highly anticipated Hope unfold over the course of one long, grueling, nonstop chase of a day for its rag-tag team of small-town South Korean cops, yokels, and hicks, an ensemble that ranges from heroic […] The post Cannes Review: Na Hong-Jin’s Hope Is a High-Octane Creature Feature That Falls Flat first appeared on The Film Stage.