{
"$type": "site.standard.document",
"bskyPostRef": {
"cid": "bafyreib5if2d7ksjv7f5u7nidr5kx544ikacepdzmqnmugwe3d4qn3tiwq",
"uri": "at://did:plc:zecqehsqxfcvftngq5nqs5dr/app.bsky.feed.post/3mf7w3qavij22"
},
"coverImage": {
"$type": "blob",
"ref": {
"$link": "bafkreicrew5vnvzxrhid2k55be5ph5bpujl4qepmd4ygb3oy5gfyvm3eu4"
},
"mimeType": "image/jpeg",
"size": 69518
},
"path": "/berlinale-review-sandra-huller-proves-magnificent-in-markus-schleinzers-rose/",
"publishedAt": "2026-02-19T14:17:20.000Z",
"site": "https://thefilmstage.com",
"tags": [
"Reviews",
"Berlinale",
"Critic's Pick",
"Festivals",
"Markus Schleinzer",
"Rose",
"Sandra Huller",
"Berlinale Review: Sandra Hüller Proves Magnificent In Markus Schleinzer’s _Rose_",
"The Film Stage"
],
"textContent": "If period filmmaking’s credibility can be measured by the audience’s ability to imagine said person scrolling on an iPhone, Markus Schleinzer deserves recognition for his contributions to the genre. The Austrian director’s latest, a macabre, pseudo-folktale titled Rose, is set in 17th-century Germany. It’s a period to which Schleinzer travels with ease: after some introductory […]\n\nThe post Berlinale Review: Sandra Hüller Proves Magnificent In Markus Schleinzer’s _Rose_ first appeared on The Film Stage.",
"title": "Berlinale Review: Sandra Hüller Proves Magnificent In Markus Schleinzer’s Rose"
}