{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreihnl6inogsgdczvgidp5omp56wyumb7a47qj4vsgcnqbanjmbiwom",
    "uri": "at://did:plc:zecqehsqxfcvftngq5nqs5dr/app.bsky.feed.post/3mex2qy6edq62"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreicio2rjoaqxgbcv74rojiaxj6pexsh2ewv3gqq6hagutdseibeu4q"
    },
    "mimeType": "image/jpeg",
    "size": 145912
  },
  "path": "/berlinale-review-alain-gomis-dao-is-a-riveting-family-saga/",
  "publishedAt": "2026-02-15T18:35:18.000Z",
  "site": "https://thefilmstage.com",
  "tags": [
    "Reviews",
    "Alain Gomis",
    "Berlinale 2026",
    "Critic's Pick",
    "Dao",
    "Festivals",
    "Berlinale Review: Alain Gomis’ _Dao_ is a Riveting Family Saga",
    "The Film Stage"
  ],
  "textContent": "To belong to the diaspora is to inhabit a paradox: a state of in-betweenness, neither fully inside or outside one’s home and adoptive countries. Films trying to map that condition also tend to feel somewhat “suspended,” populated as they are by characters grappling with a double consciousness—“either I’m nobody,” Derek Walcott captured that limbo in […]\n\nThe post Berlinale Review: Alain Gomis’ _Dao_ is a Riveting Family Saga first appeared on The Film Stage.",
  "title": "Berlinale Review: Alain Gomis’ Dao is a Riveting Family Saga"
}