Rotterdam Review: The Misconceived is an Incisive, Inventive Look at Contemporary Life
The Film Stage [Unofficial]
February 10, 2026
Seven years after collaborating on The Plagiarists, writers James N. Kienitz Wilkins and Robin Schavoir return with The Misconceived—another incisive, inventive movie about the anxieties faced by the never-quite-made-it creative class. Directed by Peter Parlow, that earlier film played with the tropes of found-footage horror to tell a story about untested urban liberalism and the […]
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