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  "path": "/bina-daigeler-rosebush-pruning/",
  "publishedAt": "2026-05-05T17:36:59.000Z",
  "site": "https://schonmagazine.com",
  "tags": [
    "culture",
    "Bina Daigeler:",
    "Maria Biardzka",
    "MUBI",
    "Read more »",
    "the language of a wardrobe | costume designer bina daigeler on dressing rosebush pruning",
    "Schön! Magazine"
  ],
  "textContent": "‘Rosebush Pruning’, Karim Aïnouz’s English-language second movie, which premiered at this year’s Berlinale, is a film of hedonistic interiors and family members who seem to wear their wealth like armour. At its visual centre is the work of Bina Daigeler: the Munich-born, Madrid-based costume designer whose Oscar-nominated work on ‘Mulan’ (2020) followed more than two decades of collaboration with Pedro Almodóvar (‘Volver’, ‘The Room Next Door’) and an eclectic filmography that also includes Todd Field’s Tár, Jim Jarmusch’s Only Lovers Left Alive, and the Netflix series 1899. In ‘Rosebush Pruning’, she dresses a cast including Callum Turner, Riley Keough, Elle Fanning, Jamie Bell, Tracy Letts, and Pamela Anderson in a wardrobe that layers vintage Hermès and McQueen with current-season Chanel and Bottega Veneta and pieces with no label at all. Daigeler’s costumes do a great deal of the film’s storytelling. The family is fashion-obsessed, but as Daigeler puts it, they have ‘strange taste’: combining high fashion in destructive, sometimes iconic ways that become a language of their own. Over a conversation before the film’s wider release, Daigeler spoke about tone, colour, fabric, and why a costume should never steal a scene. You mentioned in the press materials that the script... Read more »\n\nThe post the language of a wardrobe | costume designer bina daigeler on dressing rosebush pruning appeared first on Schön! Magazine.",
  "title": "the language of a wardrobe | costume designer bina daigeler on dressing rosebush pruning"
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