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  "path": "/behind-the-curtain-tokyo-fashion-week-aw26/",
  "publishedAt": "2026-04-09T15:20:33.000Z",
  "site": "https://schonmagazine.com",
  "tags": [
    "news",
    "Autumn/Winter 2026",
    "kotohayokozawa",
    "Maria Biardzka",
    "Rakuten Fashion Week Tokyo",
    "Ryunosuke Okazaki",
    "TANAKA",
    "Tokyo Fashion Week",
    "Tokyo Fashion Week AW26",
    "VIVIANO",
    "YOKE",
    "Yueqi Qi",
    "Read more »",
    "behind the curtain | tokyo fashion week aw26",
    "Schön! Magazine"
  ],
  "textContent": "YOKE The week begins with a knot. Not a bow and not a buckle, but a knot, tied at the waist of a sand-coloured trench coat with the quiet deliberation of someone who has thought about this one gesture for a very long time. Beside it, a crocheted bag in thick black yarn, its weave dense enough to feel weighted in the hand. These are the details that YOKE builds a collection around: the point where fabric meets decision. Backstage at Shibuya Hikarie on a Sunday evening, the team works through a final round of adjustments. Scarves are folded, refolded, then wrapped around waists like obi sashes until the proportions resolve. YOKE presented menswear in Paris just two months earlier, and this homecoming show carries a specific tension. The audience here knows the brand best and will judge it accordingly. The collection this season drew on Jean Arp’s biomorphic sculptures: organic, rounded forms that suggest the body without following it. You see it in the way a chocolate suede blazer falls past the hip with no structure to stop it, how a sage knit pools at the collar rather than sitting flat. There is a 1970s warmth to the suede,... Read more »\n\nThe post behind the curtain | tokyo fashion week aw26 appeared first on Schön! Magazine.",
  "title": "behind the curtain | tokyo fashion week aw26"
}