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  "path": "/jil-sander-aw26-the-house-above-the-sea/",
  "publishedAt": "2026-02-26T18:00:18.000Z",
  "site": "https://schonmagazine.com",
  "tags": [
    "news",
    "Autumn/Winter 2026",
    "Chiara Barzini",
    "fashion",
    "Gennaro Costanzo",
    "Italian luxury",
    "Jil Sander",
    "Kim Gordon",
    "menswear",
    "Milan Fashion Week",
    "Oliver Peoples",
    "Simone Bellotti",
    "womenswear",
    "…] And now we are half way up the steps. Not sure whether to keep climbing or let go,” reads the poem by Chiara Barzini. It was the soundtrack of the show that heightened a feeling of a haunted or healing home, heard through Kim Gordon’s unmistakable voice. Bellotti approaches the house from the perspective of a home, treated as an emotional sanctuary where one either belongs or feels the urge to flee. This sophomore collection thrives on the tension of a lived-in space, filled with both calm and internal contradiction. The creative director draws on a very personal history for this vision, noting that his father worked as an upholsterer. This familiarity with the textures of a domestic interior allows him to treat fabric like furniture, moving codes and tropes around with a playful lack of ceremony. Restraint has always been the defining characteristic of this brand, yet Bellotti now wonders whether abandon can achieve the same effect. He moves away from the quest for pure... [Read more »",
    "jil sander aw26 | the house above the sea",
    "Schön! Magazine"
  ],
  "textContent": "Simone Bellotti has turned the Jil Sander headquarters into something far more intimate than a corporate office for Autumn/Winter 2026. “Once we ate and dreamed in the place above the sea …] And now we are half way up the steps. Not sure whether to keep climbing or let go,” reads the poem by Chiara Barzini. It was the soundtrack of the show that heightened a feeling of a haunted or healing home, heard through Kim Gordon’s unmistakable voice. Bellotti approaches the house from the perspective of a home, treated as an emotional sanctuary where one either belongs or feels the urge to flee. This sophomore collection thrives on the tension of a lived-in space, filled with both calm and internal contradiction. The creative director draws on a very personal history for this vision, noting that his father worked as an upholsterer. This familiarity with the textures of a domestic interior allows him to treat fabric like furniture, moving codes and tropes around with a playful lack of ceremony. Restraint has always been the defining characteristic of this brand, yet Bellotti now wonders whether abandon can achieve the same effect. He moves away from the quest for pure... [Read more »\n\nThe post jil sander aw26 | the house above the sea appeared first on Schön! Magazine.",
  "title": "jil sander aw26 | the house above the sea"
}