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  "description": "And by proxy, Paramount...",
  "path": "/warner-bros-wins-one-battle-oscars/",
  "publishedAt": "2026-03-16T12:20:41.000Z",
  "site": "https://spyglass.org",
  "tags": [
    "Warner Bros wins a record 11 Oscars as One Battle After Another and Sinners dominate awardsFilm studio – currently in acquisition talks with Paramount – earned 11 awards thanks to films by Ryan Coogler and Paul Thomas AndersonThe GuardianCatherine Shoard",
    "and rightfully so, IMO",
    "in 2025",
    "while in the midst",
    "a contentious battle",
    "a silly awards show",
    "the most clout",
    "cultural relevancy and cachet",
    "Here's Kyle Buchanan writing about the night for The New York Times",
    "it doesn't exactly equate",
    "often upside-down finances",
    "Apple's Oscar win of the night: _F1_",
    "and important for Apple",
    "many ways",
    "that bottom line",
    "wildly profitable",
    "their best showing ever",
    "agreed-to-be-acquired",
    "$111B",
    "One Box Office Battle After Another‘One Battle After Another’ is by all accounts fantastic. The marketing hasn’t been.SpyglassM.G. Siegler",
    "TUDUMBParamount breaks the wrist, Netflix walks away from Warner Bros…SpyglassM.G. Siegler",
    "Big Cinema Strikes Back‘Oppenheimer’ Reigns at Oscars With Seven Wins, Including Best Picture and Director: Full Winners ListThe 2024 Oscar winners are being revealed, with ‘Oppenheimer’ taking home 7 awards.VarietyBrent Lang No big surprises in this year’s Academy Awards.1 Still, I think it was a good thing for both the showSpyglassM.G. Siegler"
  ],
  "textContent": "Warner Bros wins a record 11 Oscars as One Battle After Another and Sinners dominate awardsFilm studio – currently in acquisition talks with Paramount – earned 11 awards thanks to films by Ryan Coogler and Paul Thomas AndersonThe GuardianCatherine Shoard\n\nOne studio to rule them all last night...\n\n> Warner Bros, the studio currently in the final stages of talks over a buyout by rivals Paramount, has taken a record 11 prizes from the 98th Academy Awards.\n>\n> It ties the record for most wins by a studio at the Academy Awards with MGM, who took that number in 1959 with Ben-Hur, Paramount for 1997’s Titanic and New Line Cinema with The Lord of the Rings: The Return of the King in 2003. That outfit was later absorbed into Warner Bros.\n\nImplied, but not explicit here: Warner Bros' tally was arguably more impressive because it wasn't just riding the coattails of one movie that dominated as those other studios did in their historic nights. Yes, _One Battle After Another_ was the big winner – and rightfully so, IMO – with six wins, but _Sinners_ came in with four big wins. And, of course, _Weapons_ had its own big win in acting.\n\nIt points to just how dominant of a run Warner Bros had in 2025 – including at the box office, where they were incredibly beating even the mighty Disney until a last-minute surge at the end of the year. And the fact that they pulled it off while in the midst of a contentious battle to be bought is even more impressive!\n\nSpeaking of, this Oscar tally immediately turns Paramount from the biggest loser of the night with **zero** Oscars – though technically you can't _lose_ if you weren't even nominated for any Oscars, I guess! – to a huge winner. Sure, at the end of the day the Oscars are still just sort of a silly awards show. But without question, it's the one with the most clout and with that, comes cultural relevancy and cachet. Paramount is the studio that had less of that than any other studio in 2025 and is buying the studio that had the most of it.\n\nOf course, none of that equates to the actual and literal bottom line. Here's Kyle Buchanan writing about the night for The New York Times:\n\n> Unlike last year’s big winner “Anora,” one of the lowest-grossing films to ever take best picture, “One Battle After Another” grossed a hefty $209 million worldwide. That’s significantly more than Anderson’s past efforts like “There Will Be Blood” and “Phantom Thread,” but because of its reported $130 million budget and huge marketing costs, the film did not make its money back at the box office.\n\nWhile Paramount is getting good prestige value here, it doesn't exactly equate into actual value thanks to Hollywood's often upside-down finances. See also: Apple's Oscar win of the night: _F1_. Great movie, and important for Apple in many ways. But not when it comes to that bottom line. On the other hand, both _Sinners_ and _Weapons_ were wildly profitable at the box office, so there's that.\n\nNetflix, meanwhile, walked away with seven wins, the only other studio to take home multiple Oscars; tied for their best showing ever at the awards. In a different world, they just racked up an unprecedented _18_ Oscars thanks to their agreed-to-be-acquired new studio. Instead, Paramount Skydance vaulted them as the only entity with more wins. For the low, low price of $111B.\n\n👇\n\n****Previously, on**** _****Spyglass****_****...****\n\n One Box Office Battle After Another‘One Battle After Another’ is by all accounts fantastic. The marketing hasn’t been.SpyglassM.G. SieglerTUDUMBParamount breaks the wrist, Netflix walks away from Warner Bros…SpyglassM.G. SieglerBig Cinema Strikes Back‘Oppenheimer’ Reigns at Oscars With Seven Wins, Including Best Picture and Director: Full Winners ListThe 2024 Oscar winners are being revealed, with ‘Oppenheimer’ taking home 7 awards.VarietyBrent Lang No big surprises in this year’s Academy Awards.1 Still, I think it was a good thing for both the showSpyglassM.G. Siegler",
  "title": "Warner Bros Wins the Oscars",
  "updatedAt": "2026-03-16T12:25:02.968Z"
}