{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreibb3qyqrlpz2elnudzlel6t2qnajyy3glldykp4pmypa2efgvm6be",
    "uri": "at://did:plc:oxvvpsoat5agmnr77gxcujod/app.bsky.feed.post/3mm4lt3lwvbt2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreibx42u6pd5iwqrdechezn2x5svguoff32s3txihlntmlgp6ccjw6q"
    },
    "mimeType": "image/jpeg",
    "size": 704822
  },
  "path": "/2026/film/reviews/cantona-review-1236752017/",
  "publishedAt": "2026-05-18T08:46:18.000Z",
  "site": "https://variety.com",
  "tags": [
    "News",
    "Reviews",
    "Ben Nicholas",
    "Cannes Film Festival",
    "Cantona",
    "David Tryhorn",
    "Eric Cantona"
  ],
  "textContent": "Lifted from his poem “Flowers of Evil,” the Charles Baudelaire quote that opens “Cantona” — “I am the wound and the knife/I am the blow and the cheek/I am the limbs and the wheel/Victim and executioner” — would seem like overkill in a documentary about pretty much any sporting figure besides Eric Cantona. At the […]",
  "title": "‘Cantona’ Review: The Hard-Headed French Soccer Legend Takes Nothing Back in a Slick Documentary Portrait"
}