Palme d’Gore? How Sci-Fi, Horror and High-Grade Schlock Are Taking Over the Cannes Film Festival

Are genre films set to overtake the Cannes Film Festival like a zombie horde? As with the ominous music before a jump scare, things certainly seem to be trending in that direction. Two years after Coralie Fargeat’s grotesque, feminist fantasia “The Substance” shocked the Croisette and one year after Julia Ducournau’s body horror “Alpha” (following […]