{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreifqmhy6zguhbdhl4hv2wgidvod4hc3ai5psojmi3dra4dmz2vlvfi",
    "uri": "at://did:plc:oxvvpsoat5agmnr77gxcujod/app.bsky.feed.post/3mew6cyuul7l2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreicihtkk4hvybm6dpsyguryy4m6gybfsxaytdfnyoq2xtm7wbiojha"
    },
    "mimeType": "image/jpeg",
    "size": 1317632
  },
  "path": "/2026/film/news/rose-review-sandra-huller-1236663868/",
  "publishedAt": "2026-02-15T18:04:47.000Z",
  "site": "https://variety.com",
  "tags": [
    "News",
    "Reviews",
    "Berlin Film Festival",
    "Markus Schleinzer",
    "Rose",
    "Sandra Hüller"
  ],
  "textContent": "While jumping through the hoops of her first U.S. awards season two years ago for “Anatomy of a Fall” and “The Zone of Interest,” it must have amused Sandra Hüller to be labeled a “breakthrough performer” — as if the “Toni Erdmann” star hadn’t repeatedly proven herself one of the world’s great working actors since […]",
  "title": "‘Rose’ Review: Sandra Hüller Amazes, Again, in Markus Schleinzer’s Immaculately Controlled Tale of Gender Privilege"
}