{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreiggped3kujrn3pst5pyo5kyqnrr7xbn7obie6wzdp2cpo6vptcdp4",
    "uri": "at://did:plc:kh5q22ev2qa37ebyjzja5iee/app.bsky.feed.post/3mna3h2fimkx2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreihuaewcqi5gyk55ydeuwd4txnift3a5qtoynnpiqzvgovo6u53vm4"
    },
    "mimeType": "image/jpeg",
    "size": 665740
  },
  "path": "/production-post/inside-the-peaky-blinders-the-immortal-man-grade",
  "publishedAt": "2026-06-01T08:54:58.000Z",
  "site": "https://www.tvbeurope.com",
  "tags": [
    "Production & Post",
    "HDR",
    "colour grading",
    "post production",
    "Netflix",
    "VFX",
    "peaky blinders",
    "cinelab",
    "Dirty Looks",
    "DaVinci Resolve Studio",
    "Inside The Peaky Blinders: The Immortal Man grade",
    "TVBEurope"
  ],
  "textContent": "Senior colourist Simone Grattarola discusses developing the look of the film in prep, working in DaVinci Resolve Studio, and the grading and finishing decisions that shaped the final images\n\nThe post Inside The Peaky Blinders: The Immortal Man grade appeared first on TVBEurope.",
  "title": "Inside The Peaky Blinders: The Immortal Man grade"
}