Toronto Theatre Critics‘ Awards honour the best of the 2025-26 season
Through the Eyes of God , Anusree Roy ’s searing drama about an Indian mother trying to rescue her trafficked daughter, is among the big winners at this year’s Toronto Theatre Critics’ Awards.
The play won three awards: best production of a play (Theatre Passe Muraille produced it), best solo performance in a play or musical (for actor Gabriella Sundar Singh) and best director (Thomas Morgan Jones).
“This production ought to tour Canada, or even the world, as soon as possible – in Toronto, it showcased Canadian theatre at its most daring, and by extension, its most impressive,” wrote TTCA co-chair Aisling Murphy in a press release out today.
This marks the 13th year the awards, decided on by a group of Toronto-based theatre critics (myself included), have been handed out. Shows opening between May 1, 2025 and April 30, 2026 were considered.
This year was the first time the TTCAs have acknowledged artists in the categories of choreography, digital design and puppetry; those awards, respectively, went to Alyssa Martin (Dance Nation) and Christopher Wheeldon (MJ: The Musical) tied, Nathan Bruce (Rogers v. Rogers) and Ronnie Burkett (Little Willy).
The east end indie company Eldritch Theatre received a special citation, “for their biggest, spookiest season yet.”
“Until this season, Eldritch Theatre artistic director Eric Woolfe primarily created and performed all of the company’s strange and macabre shows, with the support of a small team,” wrote critic Robyn Grant-Moran.
“With critical acclaim and a cult following, it would be easy to stay put. This season, however, marked a change: Night at the Grand Guignol featured a cast of three (none of them Woolfe), while season closer Zombocalypse! squeezed five (Woolfe included) onto the cozy stage at Red Sandcastle Theatre. Eldritch Theatre’s dark and twisted tales grew bigger and more complex with more weird little guys and angsty outsiders, without compromising Woolfe’s unique style.”
The TTCAs signal the end of the 2025-26 theatre season. The Dora Awards nominations will be announced June 1.
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On a more personal note: we theatre critics live such odd lives, scribbling in the dark and trying to make sense of what we see the day after, or the day after that. I see my fellow critics more often than most of my friends and family members, and yet we don’t always share our thoughts about shows. It’s not that we’re territorial, I think, it’s just that we’re trying to be considerate and respectful. So it’s rare that we get together as a group and discuss what we’ve seen. And is there anything more satisfying than talking about the best that you’ve seen?
Here, by the way, is the new TTCA website, which includes the present voting membership and past winners.
Of the 2026 winners, you can catch & Juliet (best lead performance in a musical for Vanessa Sears) at the Royal Alex until August 30 (tickets here); The Division (best ensemble performance in a play) continues at Crow’s Theatre’s Studio until May 24 (tickets here); and Rogers v. Rogers (best digital design) returns as part of Canadian Stage’s season in November and December at the Berkeley Street Theatre (info here).
You can also listen to Nicolas Billon’s best Canadian play winner The Neighbours as part of CBC podcast PlayME ’s season (link here or wherever you get your podcasts).
Here is the full list of winners. (I’ve linked to my reviews of the shows, or artist features, where available.)
Nicolas Billon’s The Neighbours , starring Ordena Stephens-Thompson and Tony Nappo, was named best new Canadian work. Photo by Jae Yang
Best New Canadian Work
The Neighbours__ by Nicolas Billon , production by Green Light Arts in association with Tarragon Theatre
Best International Work
Eureka Day by Jonathan Spector , production by Coal Mine Theatre
Best Production of a Play
Through the Eyes of God by Anusree Roy, produced by Theatre Passe Muraille
Octet won TTCAs for best production of a musical and best ensemble in a musical. Photo by Dahlia Katz
Best Production of a Musical
Octet by Dave Malloy, production by Crow’s Theatre, Soulpepper and the Musical Stage Company
Best Lead Performance in a Play
Sophia Walker , Slave Play by Jeremy O. Harris, produced by Canadian Stage
Nicholas Eddie , Bug by Tracy Letts, production by the King Black Box Theatre in partnership with Elkabong Theatre Projects
Matthew G. Brown, here with Brenda Robins, gave one of the best supporting performances of the year in The Christmas Market. Photo by Kenya Parsa
Best Supporting Performance in a Play
Matthew G. Brown , The Christmas Market**** by Kanika Ambrose, produced by b current Performing Arts in association with Crow’s Theatre and Studio 180 Theatre
Kristen Thomson, Fulfillment Centre by Abe Koogler, produced by Coal Mine Theatre
Best Ensemble Performance in a Play
Karl Ang , Ivy Charles , Mariya Khomutova , Daniel Maslany and Alon Nashman , The Division by Andrew Kushnir, produced by Project: Humanity and Pyretic Productions in association with Crow’s Theatre
Dean Gilmour , John Ng 伍健琪 , Diana Tso 曹楓 , 郝邦宇 Steven Hao and Madelaine Hodges 賀美倫 , Pu Songling: Strange Tales by Michele Smith, Diana Tso, Steven Hao, Madelaine Hodges, John Ng and Dean Gilmour (thanks to Michael Man, Lindsay Wu, Jeff Yung and Rosie Simon), produced by Theatre Smith-Gilmour in association with Crow’s Theatre
Vanessa Sears won a TTCA for her lead performance in & Juliet. Photo by Dahlia Katz
Best Lead Performance in a Musical
Martin Julien , The Drowsy Chaperone by Lisa Lambert, Greg Morrison, Bob Martin and Don McKellar, produced by Shifting Ground Collective
Vanessa Sears, & Juliet by Max Martin and friends and David West Read, presented by Mirvish
Best Supporting Performance in a Musical
Damien Atkins , Robin Hood: A Very Merry Family Musical**__** by Matt Murray, produced by Canadian Stage in association with the Elgin and Winter Garden Theatres
Thomas Winiker , Kimberly Akimbo by David Lindsay-Abaire and Jeanine Tesori, produced by Mirvish and the Segal Centre for the Performing Arts
Best Ensemble Performance in a Musical
Damien Atkins , Alicia Ault , Andrew Broderick , Ben Carlson , Hailey Gillis , Zorana Sadiq , Jacqueline Thair and Giles Tomkins , Octet by Dave Malloy, produced Crow’s Theatre, Soulpepper and the Musical Stage Company
Best Solo Performance in a Play or Musical
Gabriella Sundar Singh , Through the Eyes of God by Anusree Roy, produced by Theatre Passe Muraille
Best Director of a Play
Thomas Morgan Jones , Through the Eyes of God by Anusree Roy, produced by Theatre Passe Muraille
Director Meredith Shedden was acknowledged for her revelatory production of Tick... Tick... Boom! , starring Joshua Kilimnik and Diana Del Rosario. Photo by Taylor Long
Best Director of a Musical
Meredith Shedden , Tick, Tick… Boom!__ by Jonathan Larson, produced by Bowtie Productions
Best Scenic Design of a Play or Musical
Sophie Ann Rooney , Bug by Tracy Letts, production by the King Black Box Theatre in partnership with Elkabong Theatre Projects
Best Lighting Design of a Play or Musical
Bonnie Beecher , The Welkin__ by Lucy Kirkwood, produced by Soulpepper, the Howland Company and Crow’s Theatre
Melanie McNeill’s Night at the Grand Guignol costumes for Pip Dwyer (left), Jeanie Calleja and Natalia Bushnik won her a TTCA. Photo by Jack Woolfe
Best Costume Design of a Play or Musical
Melanie McNeill , Night at the Grand Guignol__ by Eric Woolfe, produced by Eldritch Theatre
Best Sound Design and Music of a Play or Musical
Ashley Naomi , The Veil by Keith Barker and Thomas Morgan Jones, produced by Thought for Food Productions in association with Crow’s Theatre and Guild Festival Theatre
Alyssa Martin’s choreography for Dance Nation earned her a TTCA. Photo by Elana Emer
Best Choreography
Alyssa Martin, Dance Nation__ by Clare Barron, produced by Coal Mine Theatre and Outside the March in association with Rock Bottom Movement
Christopher Wheeldon , MJ by Lynn Nottage, presented by Mirvish
Best Digital Design
Nathan Bruce , Rogers v Rogers by Michael Healey, produced by Crow’s Theatre
Best Puppetry
Ronnie Burkett ,__ Little Willy__ by Burkett, produced by Ronnie Burkett Theatre of Marionettes and presented by Canadian Stage
Special Citation
Eldritch Theatre , for their biggest, spookiest season yet
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