Krapp’s Last Tape Is a Confounding, Profounding Tile of D.C.’s Current Beckett Mosaic

The miracle of Krapp’s Last Tape, the most compact and confounding of Samuel Beckett’s confounding plays, is how efficient it is. Though it clocks in at less than an hour no matter how many pauses its sole performer chooses to take, the piece reckons with the insoluble questions of aging, decay, mortality, and humankind’s tragic […]