{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreie55h2gp4dzjrgyvvidse5gpnu2k3za7wpwwurzmeb754rqwcufqq",
    "uri": "at://did:plc:i7xrpsfvoyg3rvgnxhknqw7v/app.bsky.feed.post/3mfdycn4j2au2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreias7rrg2ow6u4ppf7grvis6yagomavauka4vzgyficxiiyneboju4"
    },
    "mimeType": "image/jpeg",
    "size": 225999
  },
  "path": "/new-music-critique-arily-michele/",
  "publishedAt": "2026-02-20T22:00:00.000Z",
  "site": "https://www.musicconnection.com",
  "tags": [
    "Magazine",
    "New Music Critiques",
    "Reviews",
    "New Music Critique: Arily Michele",
    "Music Connection Magazine"
  ],
  "textContent": "Contact: arily.michele@gmail.comWeb: arilymichele.comSeeking: ReviewStyle: Dream-Pop Nashville-based artist Arily Michele describes herself as dream-pop, and that certainly makes sense given the other-worldly, mildly trippy, and defiantly chilled-out atmosphere that she creates on a song as accomplished as “Komorebi.” But there’s a lot more going on here too. There’s a Kate Bush-esque, new-wave singer-songwriter quality, an art-rock edge, that is entirely welcome on a song like “Silver Dollar.” Michele’s vocals are gorgeous; softly expressive in the main, they soar when necessary, hitting rare heights on occasion. After listening to everything that she submitted,we’re keen to hear what Michele has in store next.\n\nThe post New Music Critique: Arily Michele first appeared on Music Connection Magazine.",
  "title": "New Music Critique: Arily Michele"
}