{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreiavbno3hy7q4v455ltlyp2dypfnzkicxwaazbkpmsetlaifooseqa",
    "uri": "at://did:plc:i7xrpsfvoyg3rvgnxhknqw7v/app.bsky.feed.post/3mfbb4ychtru2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreifzuxpcb6me6dahx4smdfsnaicn7st66uz7gp4vb6zy6slnutcfw4"
    },
    "mimeType": "image/png",
    "size": 1518276
  },
  "path": "/sounds-and-visions-echoes-of-gen-x-the-art-of-the-fillmore-at-gabba-gallery/",
  "publishedAt": "2026-02-19T21:30:00.000Z",
  "site": "https://www.musicconnection.com",
  "tags": [
    "Magazine",
    "Sounds and Visions",
    "Sounds and Visions: Echoes of Gen X — The Art of the Fillmore at Gabba Gallery",
    "Music Connection Magazine"
  ],
  "textContent": "Concert posters at The Fillmore were never just advertising. They functioned as part of the entire cultural atmosphere, establishing an amped-up visual experience before a single note was played. Echoes of Gen X: The Art of the Fillmore (1980s–2000s) at Gabba Gallery gathers a large field of original prints and ephemera produced for the venue during its heyday, framing concert-poster art as a parallel culture unto itself. More than 1,000 concerts are represented, including Hole, Jane’s Addiction, Counting Crows, Cypress Hill, Green Day, Rage Against the Machine, Red Hot Chili Peppers, Alice in Chains, Smashing Pumpkins, Tom Petty & the […]\n\nThe post Sounds and Visions: Echoes of Gen X — The Art of the Fillmore at Gabba Gallery first appeared on Music Connection Magazine.",
  "title": "Sounds and Visions: Echoes of Gen X — The Art of the Fillmore at Gabba Gallery"
}