{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreibb5qphpjjtgslclpi2m7ixxlgfdyx3pzjxj47rkgrcrb44wml2f4",
    "uri": "at://did:plc:hncia4jn3l56imtqhydzwsoa/app.bsky.feed.post/3mgfoejfqsfd2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreif2637peon37d43gep5aoihvprgpw4sfwql2qhum6duvgf77324ru"
    },
    "mimeType": "image/jpeg",
    "size": 203565
  },
  "path": "/133380-interview-josef-gatti-phenomena/",
  "publishedAt": "2026-03-05T18:04:25.000Z",
  "site": "https://filmmakermagazine.com",
  "tags": [
    "Directors",
    "Festivals & Events",
    "Interviews",
    "Josef Gatti",
    "Phenomena",
    "True/False 2026",
    "Source"
  ],
  "textContent": "“I found a way to look into the universe,” says non-fiction Australian filmmaker Josef Gatti in his feature debut Phenomena. Paradoxically, it turns out that the wonders of the universe are perceptible right here on Earth—so long as one has a laissez-faire approach to homemade (and often dangerous) science experiments and access to high-tech camera equipment capable of capturing molecular reactions in real-time. These reactions, subatomic as they may be, possess a staggering beauty. Guided in part by his father, a physics professor, Gatti trains his cinematic eye on the hypnotic (and yes, most would say downright “trippy”) visual effects […]\n\nSource",
  "title": "“A Trippy, Psychedelic Musical Odyssey”: Josef Gatti on Phenomena"
}