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  "path": "/133316-review-nikon-zr/",
  "publishedAt": "2026-02-19T17:00:04.000Z",
  "site": "https://filmmakermagazine.com",
  "tags": [
    "Cinematography",
    "Filmmaking",
    "Nikon ZR",
    "RED Digital Cinema",
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  "textContent": "One year after camera giants Nikon and RED Digital Cinema merged, their first collaboration comes with the release of the Nikon ZR full-frame digital cinema camera. The ZR differentiates itself from its mirrorless competitors—whether Panasonic’s LUMIX line, Sony’s FX line or Blackmagic cinema cameras—with its unique ability to record 12-bit REDCODE RAW (R3D NE), internally at up to 6K and 60 frames per second. And it’s available at the enviable price point of only $2,199. (By comparison, Sony’s full-frame FX3 costs nearly twice as much.) Surveying the camera body, its large 4-inch screen immediately stands out. The addition of an […]\n\nSource",
  "title": "Review: The New Nikon ZR Shoots RED RAW Footage on a Budget"
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