{
"$type": "site.standard.document",
"coverImage": {
"$type": "blob",
"ref": {
"$link": "bafkreiayk6ud4g6be7lfk26gqszveo4er52jeua2cqvdntjd5dzhdqgssm"
},
"mimeType": "image/jpeg",
"size": 139738
},
"path": "/133235-sundance-park-city-farewell-2026/",
"publishedAt": "2026-02-04T16:00:03.000Z",
"site": "https://filmmakermagazine.com",
"tags": [
"Festivals & Events",
"Bedford Park",
"Chasing Summer",
"Closure",
"Everybody to Kenmure Street",
"Extra Geography",
"Ha-Chan",
"I Want Your Sex",
"If I Go Will They Miss Me",
"Josephine",
"Knife: The Attempted Murder of Salman Rushdie",
"Lady",
"Little Miss Sunshine",
"Nuisance Bear",
"Once Upon a Time in Harlem",
"Robert Redford",
"Shake Your Booty!",
"Shame and Money",
"Sundance Film Festival 2026",
"The AI Doc: Or How I Became an Apocaloptimist",
"The Friend's House Is Here",
"The Incomer",
"The Invite",
"The Lake",
"The Moment",
"The Only Living Pickpocket in New York",
"The Weight",
"Union County",
"Wicker",
"Source"
],
"textContent": "“What I’m saying is, if you want to go, I won’t stop you.” At the final Park City edition of Sundance last week, my 14th consecutive one, I contemplated this line from Butch Cassidy and the Sundance Kid daily. That’s because a gorgeous, Western-style artwork painted on plywood by local artist Ryan Williams stood not far from The Library Theater, displaying the dearly departed Sundance Kid Robert Redford (who passed away last September at age 89) next to these famous words spoken by his character. The quote felt like a homegrown farewell steeped in bittersweet resignation, an ingenious marking of […]\n\nSource",
"title": "What I Saw, Heard, and Felt as Sundance Bid Farewell to Park City—and Robert Redford"
}