{
"$type": "site.standard.document",
"bskyPostRef": {
"cid": "bafyreiey2xftky7c2vrcrijzc6zlanqdd2u4ly4gj3o2smxgpkjcnj5xr4",
"uri": "at://did:plc:hejao6wge3hrmke6f527fttv/app.bsky.feed.post/3mmbmdx3qqla2"
},
"coverImage": {
"$type": "blob",
"ref": {
"$link": "bafkreice63zj6jlipwrzlr4fvtjbeixdsutmjdobt7xdx7squhejhceojq"
},
"mimeType": "image/png",
"size": 292198
},
"path": "/criticism/movies/minotaur-movie-review-andrey-zvyagintsev-1235194820/",
"publishedAt": "2026-05-19T15:50:00.000Z",
"site": "https://www.indiewire.com",
"tags": [
"Criticism",
"Movies",
"Andrey Zvyagintsev",
"Cannes",
"Festivals",
"Film",
"Minotaur",
"Reviews"
],
"textContent": "We've seen this story before, and we know where it's going, but the \"Loveless\" and \"Leviathan\" director repositions the cliches of adultery thrillers into his own gloomy register to engrossing, icily exacting results.",
"title": "‘Minotaur’ Review: Andrey Zvyagintsev’s Riveting Comeback Remakes Claude Chabrol and ‘Unfaithful’ for a Hopeless Wartime Russia"
}