{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreielndoq6q2bnlmyayvh5d6wb7digmyyanmg2ay4wwfmdvt656mlmi",
    "uri": "at://did:plc:hejao6wge3hrmke6f527fttv/app.bsky.feed.post/3mjm2jstlepa2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreicgdfcxnmlbxtui44v36awkdplpz3s44xi3noj3vykht4c7tx4efa"
    },
    "mimeType": "image/jpeg",
    "size": 28281
  },
  "path": "/criticism/shows/beef-season-2-review-netflix-series-1235188904/",
  "publishedAt": "2026-04-16T07:01:00.000Z",
  "site": "https://www.indiewire.com",
  "tags": [
    "Criticism",
    "Shows",
    "Beef",
    "Cailee Spaeny",
    "Carey Mulligan",
    "charles melton",
    "Lee Sung Jin",
    "Netflix",
    "Oscar Isaac",
    "Reviews",
    "TV"
  ],
  "textContent": "Pivoting to multiple romantic relationships while maintaining its tense, black-comic vibes, \"Beef\" Season 2 is set at a world-class country club where three couples — from three distinct generations and income classes — are tested by the way the world turns.",
  "title": "‘Beef’ Season 2 Review: Bigger Is Actually Better in Lee Sung Jin’s Searing Netflix Sequel"
}