{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreihnisa3mhuprk32m5sf7e4cd2exwi6xb2vqcf6nfxtrzgc7us5ve4",
    "uri": "at://did:plc:hejao6wge3hrmke6f527fttv/app.bsky.feed.post/3mh3xqvbcrgi2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreiabuipgdzfhmrob342qgjhmg5riq7pwuticz5uws7ksjbvzp43hzq"
    },
    "mimeType": "image/png",
    "size": 91717
  },
  "path": "/criticism/movies/pretty-lethal-movie-review-1235184386/",
  "publishedAt": "2026-03-14T15:30:00.000Z",
  "site": "https://www.indiewire.com",
  "tags": [
    "Criticism",
    "Movies",
    "Film",
    "Pretty Lethal",
    "Reviews",
    "SXSW"
  ],
  "textContent": "SXSW: Led by an all-women ensemble, Vicky Jewson’s first feature since “Close” pirouettes into a new, inventive genre blending ballet with martial arts, though it doesn't quite stick the landing.",
  "title": "‘Pretty Lethal’ Review: Ballerina Baddies Spin and Slit Throats in a Suspense Thriller That Skips Pivotal Narrative Beats"
}