{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreifmzsz53u4wvcekcg46ihh4jx7zqt3c2bwekpfn2c27hxd5zbk2p4",
    "uri": "at://did:plc:hejao6wge3hrmke6f527fttv/app.bsky.feed.post/3mgcm3svrsy52"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreiao4bsrykymvj3lit4slwvkfduu7d3rmmd6bwbodcs37gep4tg6eu"
    },
    "mimeType": "image/jpeg",
    "size": 54274
  },
  "path": "/criticism/movies/the-bride-review-maggie-gyllenhaal-1235182464/",
  "publishedAt": "2026-03-04T20:00:00.000Z",
  "site": "https://www.indiewire.com",
  "tags": [
    "Criticism",
    "Movies",
    "Film",
    "Jessie Buckley",
    "Maggie Gyllenhaal",
    "Reviews",
    "The Bride"
  ],
  "textContent": "Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC properties.",
  "title": "‘The Bride!’ Review: Maggie Gyllenhaal Graverobs Mary Shelley for a Wokified, ‘Joker’-fied Folie-à-Deux  Zonked on Its Own Rage"
}