Ira Sachs On Tapping Into The “Incredible Energy” & “Darkness” Of 1980s New York For ‘The Man I Love’: “It Felt Like An Autobiography” — Cannes Studio

“You speak about the film as if I made a film about the past, and I don’t feel that way,” filmmaker Ira Sachs says of his latest feature, The Man I Love, which debuted this week in Competition at Cannes. “Partly because of the tone of the film, which was made very much in the […]