‘Minotaur’ Review: Andrey Zvyagintsev’s Ambiguous Thriller Exquisitely Skewers Russian Corruption – Cannes Film Festival

Nine years since his last film, several of them spent slowly recovering in Germany from a bout of Covid that all but extinguished his lungs, Andrey Zvyagintsev, the greatest of all the living Russian directors, is back in Cannes with a chronicle of crime and — for the rich, the influential and the crafty – […]