{
  "$type": "site.standard.document",
  "canonicalUrl": "https://jcrt.org/archives/13.2/clark/",
  "description": "The article discusses the early zombie films of filmmaker George Romero and loss of blatant and the affective materiality by zombies due to use of digital effects in the series",
  "path": "/archives/13.2/clark/",
  "publishedAt": "2014-01-01T00:00:00.000Z",
  "site": "at://did:plc:e24okfpxr7ctcbmruijop5gp/site.standard.publication/jcrt",
  "tags": [
    "george-a",
    "zombie-films",
    "1940-2017",
    "romero",
    "the-tv-program",
    "walking-dead"
  ],
  "textContent": "",
  "title": "Doing the Zombie Glitch; Haptic Undeadliness as a Political Theory."
}