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"description": "Daniela Ponomarevová works with installation and drawing. Based in Czech Republic. A Catapult Artist in Focus on post-fairground aesthetics.",
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"publishedAt": "2026-03-31T04:29:10.000Z",
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"textContent": "**Daniela Ponomarevová**\n\n**Based in:**\nCzech Republic\n\n**Medium:**\nInstallation, Drawing, Objects\n\n**Recent Exhibitions:**\nTemple of Health, Gallery of Modern Art, Hradec Králové, 2025–2026\n\n**Instagram:**\n@strumka_540\n\n**Curator:**\nAnna Horák Zemanová\n\n**Image Courtesy:**\nCourtesy the Artist\n\n**Photography:**\n© Markéta Hašková\n\n* * *\n\n## Daniela Ponomarevová - Czech Republic, installation and drawing\n\nThe objects Daniela Ponomarevová builds are large, brightly coloured, and generous in a way that demands something back. She constructs spatial installations from recycled cardboard and covers them in dense graphic illustration, bold outlines, saturated colour, the visual language of fairground signage pushed somewhere between cartoon allegory and pop devotional.\n\nThe technique is hand stippling. Up close, you see the mark. From a distance, it reads like print.\n\nHer sustained project, what she calls \"post-fairground attractions\", takes the visual logic of amusement parks and travelling fairs and reads it against contemporary wellness culture: the graphic intensity, the advertising language, the way spectacle shapes conviction before thought arrives. She is interested in how effects work. How ornament makes a claim. How a slogan turns a gym into a temple, or a temple into a gym.\n\n> The temple and the snack machine turn out to share the same logic. Ponomarevová doesn't resolve the collision, she makes it as vivid as possible.\n\nThe solo exhibition _Temple of Health_ (Gallery of Modern Art, Hradec Králové, November 2025-January 2026) is built around objects with specific, committed iconographies. The title work, a house-scale structure assembled from a television box, its exterior painted in cartoon brick, covered in motifs, standing on a stepped plinth, appears in two versions across two gallery rooms.\n\nThe first is domestic, house-shaped. The second is Egyptian: Tutankhamun in bright yellow, Anubis, a pyramid, and at the base of the plinth two milk cartons labeled \"natural milk\" and \"lactose free.\" The temple comes in multiple cosmologies. Both are selling something.\n\n****Daniela Ponomarevová**** , __Temple of Health (sign)__ , 2025–2026, painted cardboard. Courtesy of the artist. Photo: © Markéta Hašková.****Daniela Ponomarevová**** , __Temple of Health__ , 2025–2026, cardboard installation, Gallery of Modern Art, Hradec Králové. Courtesy of the artist. Photo: © Markéta Hašková.****Daniela Ponomarevová**** , __Temple of Health__ (detail), 2025–2026, cardboard, hand-stippled illustration. Courtesy of the artist. Photo: © Markéta Hašková.****Daniela Ponomarevová**** , __Baguette Box__ , 2025–2026, cardboard, hand-stippled illustration. Courtesy of the artist. Photo: © Markéta Hašková.****Daniela Ponomarevová**** , __EGG__ , 2025–2026, cardboard installation with painted anatomical heart. Courtesy of the artist. Photo: © Markéta Hašková.\n\nOn the wall nearby, the _Ghost Automat_ , a vending machine in the form of Winnie the Pooh, fitted with shelves stocked with mouldy potatoes and cereal bars full of sugar, delivers exactly what the label doesn't promise. On the floor, a cardboard box marked \"EGG\" opens to reveal a painted anatomical heart. Three stippled baguettes sit in a baguette box. A painted crust hangs on the wall. Every object is meticulously made. None of them is what it appears to be at first glance.\n\nThe exhibition's logic is not satire, or not only satire. The artist says it directly: \"Irony? Maybe. Celebration? Definitely.\" The works are too beautifully realised, too fully committed to the aesthetic they inhabit, for pure critique. A conceptual sketchbook, developed alongside the works, traced the symbolic architecture of each object, the hidden references, the layered iconographies. The thinking precedes the making, and the making is accountable to it.\n\nWhen health becomes a brand and the fairground becomes a wellness centre, the question is not whether the temple is sincere. It is whether the distinction still holds.\n\nInstagram Daniela Ponomarevová\n\n* * *\n\n## **Notable Works and Exhibition Views**\n\n __Temple of Health__ , 2025–2026, cardboard installation with hand-stippled illustration, Gallery of Modern Art, Hradec Králové. Courtesy of the artist. Photo: © Markéta Hašková\n\nDaniela Ponomarevová, __Temple of Health (detail)__ , 2025–2026, cardboard installation with symbolic and Egyptian-inspired imagery. Courtesy of the artist. Photo: © Markéta Hašková.\n\n****Daniela Ponomarevová,**** __Temple of Health__ , 2025–2026, cardboard installation with hand-stippled illustration, Gallery of Modern Art, Hradec Králové. Courtesy of the artist. Photo: © Markéta Hašková.****Daniela Ponomarevová,**** __Ghost Automat__ , 2025–2026, cardboard vending machine sculpture. Courtesy of the artist. Photo: © Markéta Hašková.****Daniela Ponomarevová**** , __Temple of Health__ (detail), 2025–2026, cardboard, hand-stippled illustration. Courtesy of the artist. Photo: © Markéta Hašková.\n\n**About Catapult**\n\nThis is an artist interview published by Catapult — an independent editorial platform for contemporary art, based in Vienna. We publish exhibition reviews, artist features, interviews, and critical context, with a focus on emerging and mid-career practices from Europe and beyond.\ncatapult.art\n\nWant to be featured? Submit your work →\n\n* * *\n\n## Related Readings:\n\nFeatured\n\n## Decoding Kitsch: Florian Genzken's Aesthetic Fascination\n\nRead More\n\nExhibition\n\n## Veronika Günther with Popular Problems — The Tiger Room, Munich\n\nRead More\n\nInterview\n\n## John Trashkowsky: \"Subvertique\" — Between the Object and the Message\n\nRead More\n\n* * *",
"title": "Every Temple Has a Snack Machine - Daniela Ponomarevová - Artist in Focus",
"updatedAt": "2026-03-31T04:29:10.438Z"
}