{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreigmk4rm2hfl4kwmk7vio7gcz2gzqez6uvsulhimdvow5vph74jxc4",
    "uri": "at://did:plc:awxfhpz4xsqihdmycz65h3jz/app.bsky.feed.post/3mnetgyfvj2d2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreia2ipisbco2nwmjnlxzntqhlvskrxca4qssxsnnm42ie6oznizh24"
    },
    "mimeType": "image/jpeg",
    "size": 128332
  },
  "path": "/artists/guitarists/bruce-watson-big-country-gear-tour",
  "publishedAt": "2026-06-03T08:37:56.000Z",
  "site": "https://www.guitarworld.com",
  "tags": [
    "Guitarists",
    "Artists"
  ],
  "textContent": "The Big Country guitarist pulls some choice guitars and amps out of the vault, and explains why the Esquire beats the Tele",
  "title": "“Even though it’s a budget guitar, it’s great. Paul Stanley used to smash one up at the end of KISS shows”: The amps that defined punk, the custom electric that was “painted in a shed” – Bruce Watson on the gear behind Big Country’s sound",
  "updatedAt": "2026-06-03T08:40:51.000Z"
}