“Those Fender Jazz basses sounded fantastic, but they scared the hell out of me”: Why bassist Paul Samwell-Smith chose a short-scale Epiphone for his “rave-ups” with the Yardbirds
Guitar World [Unofficial]
March 21, 2026
The blues-rock opener from the band’s 1966 debut album showcases a standout example of Samwell-Smith’s fluid, freewheeling bass work
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