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  "path": "/uses/77326/graphisme-en-france-2026-1",
  "publishedAt": "2026-05-21T08:04:33.000Z",
  "site": "https://fontsinuse.com",
  "tags": [
    "Cnap",
    "Graphisme en France",
    "This 32nd issue",
    "Gabriele Čepulytė",
    "Vincent Tuset-Anrès",
    "Jérôme Knebusch",
    "Sarah Fenrich",
    "EESAB",
    "Louize",
    "Matthieu Cortat",
    "205TF",
    "Venus+ Acier",
    "Jonas A. Renaud",
    "U+270D",
    "Hiragino Mincho",
    "Hiragino Kaku Gothic",
    "Jiyu-kobo",
    "Screen Graphic Solutions Co.",
    "Média Graphic",
    "Fonts In Use"
  ],
  "textContent": "Contributed by Sarah Fenrich\n\n\n _Sarah Fenrich. License: All Rights Reserved. _\n\n\n\n\n\n\n\nPublished since 1994 by Cnap, Graphisme en France is aimed at graphic designers, clients, and students. Each edition explores a theme in graphic design through a variety of perspectives.\n\nThis 32nd issue is devoted to the book, a central object in the practice of graphic designers: a source of inspiration, a tool for communication, and a space for experimentation. Through complementary approaches, the collected contributions examine the book in its most minimal forms, its materiality, its modes of circulation, and the uses it inspires.\n\n  * Gabriele Čepulytė, researcher and educator, explores the minimal forms of the book and demonstrates how its materiality plays a full role in the production of meaning\n  * Vincent Tuset-Anrès, graphic designer, publisher, and curator, shares his research on publishing in Japan, spanning production, distribution, and uses\n  * Jérôme Knebusch, designer, publisher, and lecturer-researcher, reflects on his interest in small-format publications and their power of dissemination\n\n\n\nThe graphic design for this issue was entrusted to me, Sarah Fenrich , a graduate of the École européenne supérieure d’art de Bretagne (EESAB). In keeping with the theme, I have created a publication that reveals the book’s various sensory dimensions: a perforated, removable cover; a layout that takes into account the diversity of the texts; and a design that is sensitive to both reading and handling.\n\nThe typefaces used are **Louize** , designed by Matthieu Cortat, distributed by 205TF; **Venus+ Acier** , designed by Jonas A. Renaud, distributed by U+270D; **Hiragino Mincho** and **Hiragino Kaku Gothic** by Jiyu-kobo and distributed by Screen Graphic Solutions Co..\n\nThe book was printed by Média Graphic.\n\n\n\n\n_Sarah Fenrich. License: All Rights Reserved. _\n\n\n_Sarah Fenrich. License: All Rights Reserved. _\n\n\n_Sarah Fenrich. License: All Rights Reserved. _\n\n\n_Sarah Fenrich. License: All Rights Reserved. _\n\n\n_Sarah Fenrich. License: All Rights Reserved. _\n\n\n_Sarah Fenrich. License: All Rights Reserved. _\n\nThis post was originally published at Fonts In Use\n\n* * *",
  "title": "Graphisme en France 2026"
}