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"path": "/uses/76716/barcelona-pam-a-pam-by-alexandre-cirici",
"publishedAt": "2026-04-12T15:06:01.000Z",
"site": "https://fontsinuse.com",
"tags": [
"jellobiafrasays.tumblr.com",
"Alexandre Cirici Pellicer",
"Oriol Maspons",
"en.todocoleccion.net",
"Akzidenz-Grotesk",
"srabsenta.blogspot.com",
"Helvetica",
"Victor Rahola",
"A.M. Cassandre",
"Bifur",
"Folio",
"Simoncini",
"Karlgeorg Hoefer",
"Permanent",
"Francesco Simoncini",
"Aster",
"archive.org",
"Monotype Grotesque",
"Antoni Gaudí",
"Fonts In Use"
],
"textContent": "Contributed by Florian Hardwig\n\n\n\n\n\n\n\n\n\n\n\n\n _**Source: jellobiafrasays.tumblr.com **License: All Rights Reserved. _\n\n\n\nBarcelona Step By Step by Bert and Frances Strauss\n\n\n\n\nBarcelona pam a pam is a city guide written by Alexandre Cirici Pellicer (1914–1983) and first published in 1971 by Editorial Teide, with photographs by Oriol Maspons (1928–2013) and drawings by the author. Bert and Frances Strauss translated the book to the English, as Barcelona Step By Step (1974). A version in Castilian Spanish, Barcelona paso a paso, followed by 1975.\n\n\n\n_**Source: en.todocoleccion.net **Maria28MM (edited). License: All Rights Reserved. _\n\n\n\nBarcelona pam a pam (original Catalan version), with Cirici’s name in **Akzidenz-Grotesk**\n\n\n\n\n\n\n_**Source: srabsenta.blogspot.com **Cosas de Absenta (edited). License: All Rights Reserved. _\n\n\n\nBarcelona paso a paso (Castilian version), with Cirici’s name in **Helvetica**\n\n\n\n\nAll three editions feature the same cover design by Victor Rahola – with the title set on a curve, in A.M. Cassandre’s **Bifur** – albeit it with different colors for the hat of the man peering in from above. The interior pages are set in **Folio** and two typefaces by Simoncini: Karlgeorg Hoefer’s **Permanent** and Francesco Simoncini’s **Aster**.\n\n\n\n_**Source: archive.org **License: All Rights Reserved. _\n\n\n\nTitle page with Folio halbfett and Permanent\n\n\n\n\n\n\n_**Source: archive.org **License: All Rights Reserved. _\n\n\n\nTable of contents in Permanent. The colophon on the left is set in **Monotype Grotesque**.\n\n\n\n\n\n\n_**Source: archive.org **License: All Rights Reserved. _\n\n\n\nFolio mager for the chapter title “How To Use This Book”, Aster for the text\n\n\n\n\n\n\n_**Source: archive.org **License: All Rights Reserved. _\n\n\n\nDetail with text set in two weights of Aster\n\n\n\n\n\n\n_**Source: archive.org **License: All Rights Reserved. _\n\n\n\nChapter opening with the number from Folio’s extrafett and the title in the mager.\n\n\n\n\n\n\n_**Source: archive.org **License: All Rights Reserved. _\n\n\n\nText is interspersed with bits of history that are presented in a smaller size, also from Permanent.\n\n\n\n\n\n\n_**Source: archive.org **License: All Rights Reserved. _\n\n\n\nSpread from chapter 11 on Antoni Gaudí, with one of the photographs by Maspons. The caption is in Aster Italic.\n\n\n\n\n\n\n_**Source: archive.org **License: All Rights Reserved. _\n\n\n\nDetail with text set in two weights of Permanent\n\n\n\n\n\n\n_**Source: archive.org **License: All Rights Reserved. _\n\n\n\nGlossary of special terms\n\n\n\n\n\nThis post was originally published at Fonts In Use\n\n* * *",
"title": "Barcelona pam a pam by Alexandre Cirici"
}