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  "path": "/uses/75581/can-heironymus-merkin-ever-forget-mercy-humpp",
  "publishedAt": "2026-03-16T14:39:22.000Z",
  "site": "https://fontsinuse.com",
  "tags": [
    "www.flickr.com",
    "Bodidot Flair (Sample unavailable)",
    "Gras Serrés Italique (Sample unavailable)",
    "Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?",
    "Anthony Newley",
    "Adam White’s 2017 article",
    "New York Times",
    "Kapp Records",
    "the movie poster",
    "Robert Tanenbaum",
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    "sic!] were distinguished solely by whether the font was all caps or had a lowercase, without [differences in the design",
    "differences in the design. The title is a potpourri of **[Sans Shaded",
    "Sans Shaded** , **[Bodidot Flair",
    "Bodidot Flair** (a copy of [Pistilli Roman",
    "Pistilli Roman, with swashes), a generic sans in italic caps and small caps, **[Windsor",
    "Windsor Contour**, **[Torena Italic Flair",
    "Torena Italic Flair** , **[Holiday",
    "Holiday** , **[Groovy",
    "Groovy** , and **[Gras Serrés Italique",
    "Fonts In Use"
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  "textContent": "Photo(s) by Bart Solenthaler on Flickr.\n\n\n_**Source:  www.flickr.com **Uploaded to Flickr by Bart Solenthaler and tagged with “groovy”, “holiday” and “microgramma”. License: All Rights Reserved. _\n\n\n\n\n\nBodidot Flair (Sample unavailable)\n\nGras Serrés Italique (Sample unavailable)\n\n\n\n\nCan Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? is a British musical film from 1969. Anthony Newley (1931–1999) co-wrote the script, served as director, played the lead role, and composed the score. From Adam White’s 2017 article for the Telegraph:\n\n> Famed at the time for its ludicrously unwieldy title, 1969’s Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? is a surrealist sex-drenched disaster that could only ever have been made in the more free-wheeling Sixties. Released to significant controversy for Universal Pictures and given an X rating, it was dubbed “an act of professional suicide” by the New York Times.\n\nThe cover of the soundtrack album by Kapp Records is an adaptation of the movie poster, with illustration is by Robert Tanenbaum. It uses typefaces that all were available from Californian phototype company Lettergraphics. Most of the text is set in various widths and weights of **Microgramma** – at Lettergraphics, Microgramma and Eurostyle sic!] were distinguished solely by whether the font was all caps or had a lowercase, without differences in the design. The title is a potpourri of **Sans Shaded** , **Bodidot Flair** (a copy of Pistilli Roman, with swashes), a generic sans in italic caps and small caps, **Windsor Contour**, **Torena Italic Flair** , **Holiday** , **Groovy** , and **[Gras Serrés Italique**.\n\n\n\nThis post was originally published at Fonts In Use\n\n* * *",
  "title": "Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? soundtrack album art"
}