{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreidcfc3aoouchr4ha3ya2h5n6ctudhc4gqcym2avjyjgbwihhk4lmy",
    "uri": "at://did:plc:7gsfp7gygqmenaelljcz5gv4/app.bsky.feed.post/3migfnuw3eqf2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreie4vkrv7rkrnyas66ytm622uri7waq5dzwbfkqqnxoj4sqjo2jfsq"
    },
    "mimeType": "image/jpeg",
    "size": 73685
  },
  "path": "/features/jacob-lawrence-michael-lobel-1234745593/",
  "publishedAt": "2026-04-01T04:00:00.000Z",
  "site": "https://www.artforum.com",
  "tags": [
    "Features",
    "Jacob Lawrence"
  ],
  "textContent": "IT’S DIFFICULT for me to think of a twentieth-century American artist whose overall project better meets our present moment than Jacob Lawrence. His best-known body of work—the “Migration” series of 1940–41—gives distinctive visual form to masses of people uprooting their lives to move elsewhere, confronting both the causes and the repercussions of such demographic phenomena. […]",
  "title": "Jacob Lawrence and the Unfinished History of American Inequality"
}