{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreih6guuve5mo2yblzxs6fta6bwlsv6y5jvf572q27ldvxs2l7tpq4y",
    "uri": "at://did:plc:6akchgrfbffaf6zzrg56intr/app.bsky.feed.post/3mjdzge4yons2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreieq64eprkqy7lalkp6grgqc5d2fvc54g3abivk4pdvksbvozwh3ha"
    },
    "mimeType": "image/jpeg",
    "size": 121557
  },
  "path": "/2026/04/12/gabriel-de-la-mora-trances-through-yuxtaposition/?utm_source=rss&utm_medium=rss&utm_campaign=gabriel-de-la-mora-trances-through-yuxtaposition",
  "publishedAt": "2026-04-12T16:32:11.000Z",
  "site": "https://theweirdshow.info",
  "tags": [
    "Interviews",
    "Studio Visit",
    "Fragmentation",
    "Gabriel de la Mora",
    "Kinetic",
    "Mexico",
    "Painting with no painting",
    "sculpture",
    "studio visit",
    "Gabriel de la Mora: trances through yuxtaposition",
    "The Weird Show"
  ],
  "textContent": "Through a meticulous and almost ritualistic process, Gabriel de la Mora takes the debris of fragile materials left by the passage of time and transforms them into pieces of the impossible, where time moves forward or backward between the abstract and the formal. TWS- I am interested in your concept of “visual dyslexia” regarding the optical illusions linked to scales, oppositions, and mathematical fragmentation. What is your personal definition of collage?GdM- My personal definition of collage is the composition of […]\n\nThe post Gabriel de la Mora: trances through yuxtaposition appeared first on The Weird Show.",
  "title": "Gabriel de la Mora: trances through yuxtaposition"
}