{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreicfgbj63ujuyuvqhkdaj677uangiwcbavzgpqba4lfv64kou7v7dy",
    "uri": "at://did:plc:5lfstyjwemecy424zkrfzwqx/app.bsky.feed.post/3mkifm3genoc2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreiawkb3emfefs3adp6l5k6ccj3ftoyluwhctvbtodeday2fs3vjjvu"
    },
    "mimeType": "image/jpeg",
    "size": 418390
  },
  "path": "/film-tv/article/70149/1/rose-of-nevada-is-a-lynchian-nightmare-with-callum-turner-and-george-mackay?utm_source=Link&utm_medium=Link&utm_campaign=RSSFeed&utm_term=rose-of-nevada-the-film-making-british-cinema-weird-again",
  "publishedAt": "2026-04-27T12:09:00.000Z",
  "site": "https://www.dazeddigital.com",
  "tags": [
    "read more raquo;"
  ],
  "textContent": "In an age where anyone could become a Sean Baker by hitting “record” on their phone, Mark Jenkin has stayed ahead of the curve with old technology. On _Bait_ , Jenkin’s 2019 debut feature, he used a wind-up Bolex camera from 1976, shooting everything on scratchy 16mm film. It was an instant cult success. At the BAFTAs, where _Bait_ won an award in early 2020, Quentin Tarantino approached Jenkin with praise, callinghellip;\n\nread more raquo;\n\n\n\n",
  "title": "Rose of Nevada, the film making British cinema weird again",
  "updatedAt": "2026-04-27T12:09:00.000Z"
}