These paintings reimagine historical masterpieces through a queer lens

The human form is malleable and transformative in Dig , Harry Spike’s debut solo exhibition at Cob Gallery, London. In these paintings, bodies emerge in and out of vivid landscapes, reaching out for some – often obscure – object of desire with blurred, formless faces. This act of erasure carries a specific intent, a way of making viewers reconsider what it ishellip;

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nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; View Gallery (6 images)nbsp;