{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreianygikbipbkrxwqgv27kfcut5kispfjjbqkzihq5754h672lhk4i",
    "uri": "at://did:plc:4zlmjfmdbxj3qhzh3qrwdw6u/app.bsky.feed.post/3mjm7a4nzdc52"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreigm4qc3byrvkp4eaq2gebxll3wfourmfyi354idfjv43faxn6uqza"
    },
    "mimeType": "image/jpeg",
    "size": 147570
  },
  "path": "/magazine/2026/04/27/becky-shaw-theatre-review-cats-the-jellicle-ball",
  "publishedAt": "2026-04-16T10:00:00.000Z",
  "site": "https://www.newyorker.com",
  "tags": [
    "Magazine / The Theatre"
  ],
  "textContent": "Gina Gionfriddo’s zinger-filled sex farce and the celebratory ballroom-culture adaptation of Andrew Lloyd Webber’s confounding musical are cathartic catnip.",
  "title": "Sharp Claws at “Becky Shaw” and “Cats: The Jellicle Ball”"
}