{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreiewjihajdcb5quzbtahhnow2psy2rorex6lvcocxoqebp5szzzqya",
    "uri": "at://did:plc:4jjxx3max7tcdxwmdkjrnyj4/app.bsky.feed.post/3momori5vihq2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreih5gx5smwjgnl6vsserytsso457fuajbar4k5cbqpmgnepdzzwu4e"
    },
    "mimeType": "image/webp",
    "size": 74274
  },
  "path": "/june-2026-ucla-diversity-report",
  "publishedAt": "2026-06-18T19:20:02.000Z",
  "site": "https://nofilmschool.com",
  "tags": [
    "Diversity and inclusion",
    "Ucla diversity report",
    "Diversity",
    "Hollywood Diversity Report"
  ],
  "textContent": "\n\n\n\nIf it feels like the things you've been watching on streaming have been less diverse lately, you're right.\n\nIn a year where the biggest and most talked-about streaming movie was _KPop Demon Hunters_ , UCLA has released the streaming-focused segment of its Hollywood Diversity Report that shows diversity is down.\n\nThe findings indicate that the push for inclusion in direct-to-streaming films didn't just slow down; it took a massive nosedive and set us back years.\n\nLet’s look at the numbers.\n\n* * *\n\n## The Streaming Slump\n\nFor years, streamers feltl ike they had a lower barrier to entry and a more global appetite. That led to natural diversity in ideas and casting, and I felt like it paid dividends in the shows and movies we were watching.\n\nBut gender and racial diversity have dropped in streaming, and the numbers were kind of shocking.\n\n  * **Lead Roles:** Direct-to-streaming films featuring leads of color dropped from a dominant 51% share down to just 36%.\n  * **Behind the Camera:** The share of direct-to-streaming films directed by women is down to 23.6%.\n  * **The Overall Picture:** Writers of color and women directors lost critical ground as platforms pivoted toward more conventional, male-dominated ensemble structures and familiar genre formulas.\n\n\n\nThis data is a clear look at a downturn in Hollywood, where underrepresented voices are now suffering more than before, and with diversity programs also on the decline, there's no really easy answer for fixing the situation.\n\nTo put the latest findings into perspective, here is how the primary metrics stack up:\n\nMetric| Recent Percentage| The Trend Line\n---|---|---\n**Leads of Color**|  36%| Down from 51% previously\n**Women Directors**|  23.6%| Significant drop-off across major platforms\n**Top Streaming Hit**|  _KPop Demon Hunters_|  20.6 billion hours viewed (Asian female-led/directed)\n\n\n\n## The Lone Bright Spot: KPop Demon Hunters\n\nDespite the dismal overall trend, the report did highlight Netflix's breakout mega-hit _KPop Demon Hunters_.\n\nThat was the movie we all talked about that seemed to cross cultural boundaries and become a global part of the lexicon. It will get many sequels and offshoots, but since it's animated, it may take a while to see those debuts.\n\nThe unmatched success of _KPop Demon Hunters_ proves that international, highly diverse projects aren't niche. They can drive global audiences if they're both good and get made.\n\nWe need more of them out there to keep proving this point.\n\n## The Bottom Line for Filmmakers\n\nThis report is incredibly disheartening to read. But the way to combat these kinds of reports is just to keep telling your stories and work to network and create your own opportunities.\n\nThat's all easier said than done, but the time to make and market yourself is now, especially after we're seeing all these successful transplacements from YouTube to theatrical, getting big movie deals.\n\nGo out and pave your own road if Hollywood is ignoring you.\n\nIf you can prove that your unique perspective taps into an underserved, highly enthusiastic global audience, you can convince them they're leaving money on the table.\n\nWhat do you think about the streaming slump? Are you seeing this shift in the types of projects getting bought?\n\nLet's talk in the comments.",
  "title": "New UCLA Diversity Report Shows Streaming Films Are Reversing Progress for Women and POC"
}