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  "path": "/~eagle/reviews/books/1-6680-7812-0.html",
  "publishedAt": "2026-06-27T04:33:42.898Z",
  "site": "https://www.eyrie.org",
  "tags": [
    "Ancestral Night",
    "James White",
    "Grail"
  ],
  "textContent": "Review: The Folded Sky, by Elizabeth Bear\n\nSeries: | White Space #3\n---|---\nPublisher: | Saga Press\nCopyright: | June 2025\nISBN: | 1-6680-7812-0\nFormat: | Kindle\nPages: | 483\n\nThe Folded Sky is a far-future space opera and a fairly direct sequel to Ancestral Night, but with a different protagonist. You do not need to have a vivid memory of the previous book to read this one. It is somewhere around Elizabeth Bear's 31st (!) novel, depending on how one counts and what one includes.\n\nSunyata Song is an archinformist, which is sort of an archaeologist, sort of a librarian, and sort of a historian. She recovers, decodes, and organizes information so that it can be preserved and made usefully available. As the book opens, she is, after an exceedingly long white space journey in an actively hostile ship with a (to Sunya at least) an atavistically off-putting crew, reaching her goal: a vast artifact that I won't describe further to avoid any spoilers for Ancestral Night. She is eager to get to work, an eagerness that is both heightened and made more anxious by the discovery that her academic rival and abusive ex has arrived before her. The pirate attack doesn't help, nor (at least at first) does the surprise appearance of her wife and kids.\n\nThe opening of this book is a lot of infodumping mixed with nearly stream-of-consciousness emotional dumping. The style shift in this series continues to surprise me; previously, Elizabeth Bear books avoided reader hand-holding to the point of bafflement if you weren't paying close attention. Not here. The Folded Sky takes the shift perhaps too far, and I almost stalled out at the start of this book when Sunya's near-constant self-conscious litany and analysis of fears and concerns started feeling like whining.\n\nThe book picks up considerably after the attempted murder.\n\nAbout a third of the way through, The Folded Sky feels like it's settling into a recognizable subgenre of murder mystery except set in the far future with fascinating technology and aliens. There has been an attempted murder on a closed station besieged by pirates. There is a law enforcement officer present, but they don't have a lot of investigative experience. For various reasons, Sunya decides to start poking around while being conscious she has no idea what she's doing. The bumbling detective is a common trope, so I thought that was where the story was headed.\n\nIt is, sort of. There is a mystery and Sunya is involved in solving it. But that's only a small fraction of what's going on, and by the end of the book the plot has shifted firmly back to the genre of space opera, with a side note of family... drama is the wrong word. Whatever one would call a story about raising a rebellious teenager while trying very hard to not turn conflicts into actual drama.\n\nI am fascinated by the characterization of this book. Sunya is something of an emotional mess, but Bear doesn't use that fact in the ways that I would normally expect. Similar to Ancestral Night, I finished this book thinking that Folded Space is primarily an examination of rightminding, but a more subtle one than the previous novel.\n\nRightminding is a central technology of the White Space series, and I suspect its intended thematic core. Humans in this civilization are equipped with near-universal implants that allow conscious manipulation of one's neurotransmitters and thus emotional state, either by the wearer or by a helpful nearby AI. The fox, the implant used to accomplish this, comes with some other features such as sensory recordings and the ability to load ayatanas (James White–style personality recordings to provide some bit of necessary expertise), but rightminding is its primary and most frequently-used function. It is the critical technology that allowed humans to break out of cycles of endless war and join the other peaceful inhabitants of the galaxy in a shared civilization.\n\nThe name is (intentionally, I assume) Orwellian because Bear knows that many readers, particularly those from the US who have been steeped in simplistic libertarian ideas, will find the idea profoundly creepy. (This was a major plot point in Grail.) This book is not the argument for the technology, though; Bear dealt with that in Ancestral Night. This book is a look at its practical messiness for a person who needs a lot of psychological support.\n\nSunya is anxious, prone to catastrophizing, hates surprises, has some PTSD-style symptoms around space habitats due to earlier trauma, and is also dealing with the unwelcome reappearance of her ex-girlfriend who stole her work. Her first-person narration tends towards insecurity and anxiety spirals, and in another book this might signal an unreliable narrator. In this book, though, there are no dramatic emotional revelations or backstory twists the way there were in Ancestral Night, and the resolution of her troubled relationship with her daughter only partly hinges on plot developments. Instead, Sunya muddles through, with a lot of self-analysis, help from her fox, and a great deal of support from her wife.\n\nThis makes it sounds like the emotional mess at the start of the book is left unresolved at the end, but that's not true at all. The muddling through works! Sunya keeps doing things that I thought were foreshadowing some catastrophe, but she knows herself better than the reader does. Bear largely avoids the sudden ruptures that are normally used to resolve emotional problems in fiction. Instead, Sunya spends a lot of time and energy working on her thinking and her relationships while trying to be ethical and useful, and those efforts slowly bear fruit.\n\nI'm worried this makes the book sound boring; rest assured that it isn't. This emotional subplot is only an undercurrent in the novel, and the main plot has enough weird science, alien aliens, and space opera drama to satisfy my page-turning desires.\n\nI'm focusing on the emotional arc in this review because I find it so unusual and so oddly compelling, particularly in retrospect. This is not how one normally does emotional development in a novel. Sunya's fox and rightminding aren't even the focus except when the pirates express their typical libertarian disgust for the idea. Rightminding is an entirely normal part of Sunya's life that she relies on. It doesn't solve all of her problems, but it gives her a foundation from which to tackle them in the slow and frustrating and inconsistent way that is required outside of novels, via a long series of small decisions to be the person she wants to be.\n\nI think The Folded Sky will be more hit and miss for readers than the other books of this series. Sunya was, for me at least, a much harder character to like early in the book, and it takes quite a while for the plot to get going. But this is one of those books that I've not stopped thinking about since I finished it. I think it makes a fascinating pair with Ancestral Night. The first book makes the philosophical argument for rightminding, and this book shows the practical reality with all of its messiness. The Synarche has some significant flaws (including the status of AIs, which is another interesting subplot), but it's a workable system.\n\nIt feels rare to read a science fiction novel that shows this level of messiness without pairing it with an argument for radical change, and as frustrating as it was to read in places, I am intrigued by the overall effect. Sometimes acknowledging problems and working on them within an existing framework works.\n\nFollowed by a book tentatively titled Shipwreck Star that does not yet have a release date.\n\nRating: 7 out of 10",
  "title": "Russ Allbery: Review: The Folded Sky",
  "updatedAt": "2026-06-27T02:58:00.000Z"
}