{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreig7kwumzsxtac6hxhxaec2pdeaw6ltoxeevf3epma2ghagf4gf6xa",
    "uri": "at://did:plc:3td72gzbk2p2reyw42wacei6/app.bsky.feed.post/3mgnapocvwln2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreihcvc6vii7dmwpyzjunh4mb7ophlmbkueohn6pmsohvipn3cwmu2e"
    },
    "mimeType": "image/jpeg",
    "size": 142737
  },
  "path": "/fashion-beauty/17042/comme-des-garcons-autumn-winter-2026-show-review-rei-kawakubo?utm_source=Link&utm_medium=Link&utm_campaign=RSSFeed&utm_term=comme-des-garcons-and-the-inexorable-power-of-black",
  "publishedAt": "2026-03-09T11:45:00.000Z",
  "site": "https://www.anothermag.com",
  "tags": [
    "read more raquo;",
    "View Gallery (27 images)"
  ],
  "textContent": "\n\nBlack, as a colour, is powerful. Well, to begin with, it isn’t a colour at all, really – it’s a shadow, an absence, the result of the eye perceiving nothingness. Which sounds a little Jean-Paul Sartre, who incidentally wore a lot of black. Yet, for nothing, black is everything – a colour of seriousness and sobriety, of religious piety, of Catholic orders, nun’s habits, ultra-orthodoxy. Yet also of rebellion, punks as well as priests, of militant extremists, paid bills, Queen Victoriahellip;\n\nread more raquo;\n\nnbsp;nbsp;nbsp;nbsp;nbsp;nbsp;\nView Gallery (27 images)nbsp;\n\n",
  "title": "Comme des Garçons and the Inexorable Power of Black",
  "updatedAt": "2026-03-09T11:45:00.000Z"
}