{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreiej6evsj6k33ril3kvgcbc47pi4d5ch3pll5jk7brjpzbwtr47h7q",
    "uri": "at://did:plc:3lgyatciafaattwsxgnopysj/app.bsky.feed.post/3mmvlnmamizr2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreihdf52g7eecm4jhrwjsy6zw5zefjz4uhc2xqx4wuyr4tlw4nsuxgu"
    },
    "mimeType": "image/webp",
    "size": 36298
  },
  "path": "/blog/2026/5/27/backrooms",
  "publishedAt": "2026-05-27T13:46:55.000Z",
  "site": "https://www.worldofreel.com",
  "textContent": "“Backrooms” is driven entirely by atmosphere and surreal imagery, but \nthere’s little beyond that. What subgenre is this anyway — spatial horror? \nIt sits in the same category as “Cube,” though it’s less efficient",
  "title": "‘Backrooms’ Review Embargo Lifts: 84% RT — Kane Parsons’ Horror Debut Is Visually Striking but Uneven"
}